Sisyphus Shrugged: Symbolic Alienation in The Metamorphosis The grotesque founding is -- and is non -- our give reality. The ambiguous way in which we ar touched by it results from our awareness that the known and apparently harmonious world is alienated under the impact of abysmal forces, which break it up and transgress its coherence. -- Wolfgang Kayser Modernity has added irony to injury. The study of the humanities is think to bridge something ineluctable in the human condition: the fundamental alienation of the individual. The astute reader of literature will gradu solelyy uprise familiar with the unifying substance that binds peoples of all times and cultures. Joseph Campbell, rather famed for his work in mythology, says that storytelling is the secret opening by dint of which the straight-out energies of the cosmos pour into human cultural formula (3). Apparently, it is through our (that is, mankinds) use of symbols that we tap our humanity, and our u niversal experience. When symbolic tomography is used, whether or not it is used consciously, it is an pull in to dream, and thus an appeal to the mental fabric that we all share. Of course, thats the way its supposed to be. Existentialism, nihilism, and Marxism are all viable alternative philosophies that celebrate, if a nihilist butt be said to celebrate anything at all, in mans alienation.
These darker, strikingly upstart philosophies are well applied to The Metamorphosis, though a formalised approach to the books symbols does in fact help embellish their themes. Gregor Samsa does not fit conveniently fi t Campbells archetype of the hero. The und! erstanding for this should be clear: Gregor is not a typical hero. He is or else the unwilling, perhaps unwitting antihero in an absurd genus Circus that is the ripe world. Gregors world, as well as the world of umpteen existentialists, exists... If you deficiency to get a full essay, order it on our website: BestEssayCheap.com
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