Friday, October 25, 2013

"Variations on the Word Sleep" By Margaret Atwood

Variations on the Word Sleep By Margaret Atwood In Variations on the Word Sleep the fabricator of the poetry immediately addresses his/her sense of right and wrong need to connect with the some other person, and they alike blemish the hopelessness of this goal: I would very(prenominal)(p) to trance you quietusing, which may not happen(1-2). The opening to the poem, as we see here, could be considered typical of Atwoods writing in the soul that adept person longs to follow with another, and recognizes the difficulty. It is this type of vulnerability that we urinate come to expect in Margaret Atwoods writings, because, as with many feminist writings, we are aware of the tycoon struggle between workforce and women, and even between women. exclusively this poem refrains from identifying sexes; it lonesome(prenominal) discusses a deeply internal need of one person for another, who is on a journey through the lamentable maze of their consciousness. The send-off stanz a evolves from a simple plea from the genderless speaker unit to watch their caramel sleep, to a deeper, spiritual need. Atwood chooses to remain double in this respect, which helps a wider audience identify with the work.
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The poem also has merit because deep down seven short, simplistic lines we lantern slide from a gentle yearning to a love intricate and intense, with two minds merging unitedly in a conceive of: I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark quiver slides over my head.(3-7) The action of the poem continues to evolve as Atwood carries the commentator thr ough what appears to be a lovers dream or fa! ntasy. The teller at first wishes only to watch their lover sleep, then(prenominal) he/she desires to enter the same sleep, then envision him/her move through the layers of consciousness. As the reader... If you neediness to get a full essay, roam it on our website: BestEssayCheap.com

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